Read all about “The Outside Groove” (click cover image)
Book trailer for “The Outside Groove” — now available as an e-book!
- Film role: Uncle Paul in Patrick Burke’s “Where Are We Going?”
- Relaunching “The Outside Groove” as an E-book — Why not?
- Auto Racing–themed YA Novel Now Available as E-book
- An Anecdote Analyzed: Anatomy of a Pep Talk
- The Caffeinated Self
- Singing to Siberia
- Revisiting the Iron Rooster
- Simply Inspired
- An Anecdote Analyzed: “The Name of One’s Cat”
- Interactive Storytelling: The Next Fronteir?
WHEN MY FIRST NOVEL for young readers,
The Last Mall Rat, was published in 2003, a pretty famous Vermont author told me that I should promote the hell out of it as fast as I could because, in a few short months, the book would turn to yogurt. Her word—yogurt.
She wasn’t completely right, I’m happy to note, as later that book was released in paperback and earned a small profit for the publisher (Houghton Mifflin) and me. She was mostly right, though, as The Last Mall Rat did what most books do unless someone adapts them into movies (which is hard to imagine in the case of The Last Mall Rat): It found a quiet home on the publisher’s backlist, which is industry jargon for yogurt.
When I learned that The Last Mall Rat and my third YA novel, The Outside Groove, would be published in electronic form, I wasn’t quite sure what to do: let them find, or not find, new audiences among e-book readers or try to promote them all over again. I’ve decided to do both: to let The Last Mall Rat find its own way in the wider world but to put a bit more effort behind The Outside Groove, even if it might seem weird to be touting a title published in hardcover seven years ago. So be it. I think it’s a good book, and I think there are readers out there, particularly among the immense fandom of auto racing (a subject of the book), who would enjoy it.
I’ve tried to make it possible for readers to encounter The Outside Groove through its own Facebook page and through a promotion that I’ve just started called United Short Tracks of America. The promotion involves inviting racing fans to post to a blog site and/or Facebook page short videos chronicling a day or night at their local track. The videos will go into an interactive map of U.S. short tracks.
I’m working a few other angles for The Outside Groove, including trying to get Adam Walker’s great book trailer out there. The trailer features a killer original soundtrack by the Reverend Screaming Fingers (pictured). Surf rock meets a high-baked quarter mile oval of asphalt. Rubber. Exhaust. Noise. The Reverend may have unleashed a new musical genre: NASCore. You can check it all out here.
I suppose there’s a lot more I could do to promote The Outside Groove, but even I’m willing to admit that all this self-promotion—justifiable and necessary though it may be in the current publishing climate—becomes, at some point, a rationalization for procrastinating. I should spend more time working on a new book than pushing old yogurt.
But, then, one of my all-time favorite TV shows, Arrested Development, has just been relaunched seven years or so after being canceled. I wouldn’t call the Bluth family members role models, but the show is, in its odd way, kind of inspiring.
Find The Outside Groove on Facebook: “The Outside Groove”
FOR IMMEDIATE RELEASE
Auto Racing–themed YA Novel Now Available as E-book
BURLINGTON, VERMONT — Author Erik Esckilsen is pleased to announce the recent release of The Outside Groove (Houghton Mifflin Harcourt) in e-book form. With auto racing as its subject, The Outside Groove makes a solid summer reading recommendation for young readers interested in one of the nation’s most popular sports. Since its hardcover publication, the novel has found a diverse readership, with strong appeal among young-adult and middle-grade female readers. Here’s why:
The novel’s narrator and protagonist, 17-year-old Casey LaPlante, is a headstrong young woman who decides to take up auto racing to compete against her older brother — their small town’s next great hope of big-time racing glory — and to show her community that she won’t live in his shadow.
“One of the more potent themes in YA literature is the challenge of staying true to one’s values and aspirations against conflicting forces in one’s surrounding community,” Esckilsen says. “Casey LaPlante starts out racing cars to become visible in a world that won’t acknowledge her. Winning would give her the authority, she thinks, to tell her racing-obsessed family and neighbors that their worldview is limited and foolish. What she doesn’t count on is getting hooked on racing, uncovering the deeper meaning of the sport to her family and neighbors, and understanding herself in relation to her hometown in ways that surprise and change her.”
Ed Sullivan of Booklist wrote, “Strong descriptions of racing action and the well-integrated story of Casey’s own internal conflicts make for both an entertaining and interesting read that helps fill the void of good sports fiction with girl protagonists.” Read more reviews and press here. The Outside Groove is a story about the empowerment that comes from head-to-head competition in an arena where one is underestimated and unwelcome. Casey’s decisions — and the actions they set in motion — are transformative.
Erik E. Esckilsen is the author of The Outside Groove and two other YA novels, Offsides and The Last Mall Rat, both published by Houghton Mifflin/Walter Lorraine Books. His articles and essays on the arts and culture have appeared in such publications as the Boston Globe, Entertainment Weekly, Seven Days newspaper, and other publications. He has been a contributor to the Cowbird storytelling community since February 2012. He is an associate professor at Champlain College in Burlington, Vermont, where he specializes in courses on digital storytelling, rhetoric, and the intersection of global cinema and international politics.
The following describes the structure of a pep talk given recently by the director of a nonprofit center.
The occasion: an impending deadline
The audience: most of the 50 or so employees working on a project of particular importance to the future of the center; average age, 21
Time of the talk: 9 p.m. — significant, as convening for this talk requires something of a sacrifice on the part of all in attendance, which will be a theme of the talk
I. The speaker discusses her individual history with the project; she is its founder.
Effect: This ethical appeal garners respectful attention.
II. The speaker shares a) some common misconceptions of the team she assembled for the project at its outset (including employees in attendance at the pep talk) and b) her refusal to subscribe to those unflattering misconceptions.
Effect: The speaker’s credibility is reinforced in light of her faith in her team.
III. The speaker discusses the broad cultural implications of the team’s work, framing such work as a social responsibility.
Effect: The team members are essentially asked to set aside complaints or misgivings in light of the long-term value of their work — should it be completed on time.
IV. The speaker reminds the team of their deadline and describes what is at stake in failing: essentially, the future of the center.
Effect: This is a bit of a scare tactic, although it apparently does not distort the truth of the predicament.
V. The speaker shifts to a rundown of the project’s accomplishments to date.
Effect: The emphasis shifts to the team’s capability.
VI. The speaker describes for the team what they stand to gain in meeting their deadline: professional survival and the satisfaction of having made a worthwhile contribution to society.
Effect: The mood continues on an upward swing.
VII. The speaker presents statistics on similar projects’ impact.
Effect: The team revisits the value of their work, finding solidarity with others who have worked to see similar work come to fruition, possibly under analogous pressures and constraints.
VIII. The speaker closes by reiterating the deadline but in varied terms — the number of remaining days against the number of tasks to be completed.
Effect: Having been reminded of the value of their work and inspired to reach their utmost potential, the team now regards the deadline as a challenge rather than a symbol of their professional demise.
The team returns to their workstations inspired anew to succeed.
The graph below was a gift from Mavis Loach, the daughter of some friends who live outside New York City. On a recent visit, after dinner at their home, my friends and I were discussing the generally high quality of coffee to which we are now accustomed, in contrast to the stuff we drank in the 1980s and early ’90s. I testified at some length, and with enthusiasm, about how much coffee I drink daily and how much I enjoy it. Mavis, who is, I believe, 16, lingered at the table for a few minutes after coffee had been served but then disappeared for a while. When she returned, she presented me with this graphical account of my discourse.
Listen to an audio version with the image at left posted in the “Cowbird” storytelling community.
Here’s the same audio excerpt alone featuring the enigmatic Cai Jun singing.
I’d been sitting on a story for 20 years — the story of my life’s greatest adventure so far (outside of getting married and having kids, of course) — when I finally had a good opportunity to tell it. It’s the story of riding the trans-Siberian railway in the winter of 1991, right at the historical fault line where the Soviet Union died and a new China was born. My audience for this telling, on January 18, 2012, was about 60 or so residents at the Wake Robin Lifecare Community in Shelburne, Vermont. I told them my story in about 45 minutes of continuous talking, punctuated with slides. They seemed receptive.
Now I’m trying to figure out how to tell the story digitally, maybe with interactivity (of a different sort than that interactivity innate to the oral telling). There are a lot of directions in which I could take it, but its most compelling element, at least based on the Wake Robin reception, is the story’s central character: the enigmatic Cai Jun (below), with whom my traveling companion and I shared a small train compartment for almost six days straight. I’m eager to tell his story, inasmuch as I can. Meantime, if you see him, would you please tell him that I’m looking for him?